![]() ![]() Here are links to the catalogues both on AE and Swann Galleries' website. While the past is not prologue experience is useful and suggests an appealing, competitive event – one well worth a closer look. Swann Galleries achieves a high percentage of sold lots – suggesting that their estimates tend to be low enough to let the market determine the outcome. Īlso from the late 20 th century are two posters by Japanese Pop artist Tadanori Yokoo, Having Reached a Climax at the Age 29, I was Dead, 1966, and Yukio Michima, The Aesthetics of End, 1966. The Secession Building in Vienna is the movements physical and spiritual home and its permanent visual form. ![]() Īmerican highlights that span the 20 th century are Clarence Coles Phillips’s World War I conservation poster Light Consumes Coal, circa 1918 a group of three of Leo Lionni’s Keep ‘em Rolling! Posters from WWII Ben Shahn’s campaign poster for Franklin Roosevelt, Our Friend, New York, 1944 group lots of mid-century cocktail advertisements from a Dining Guide series by Think America Institute psychedelic music posters and Paul Rand’s famous poster for IBM, converting their logo into an image of a eye, a bumble bee and a stylized letter M, 1982. These are examples of Art Nouveau posters as well as Vienna Secession and Jugendstil images, such as Delftsche Slaolie by Jan Toorop the first significant Dutch Art Nouveau poster, The Hague, 1895 Richard Muller’s Kunsranstalt / Wilhelm Hoffmann, Dresden, 1896 Walter Schnackenberg’s Toulouse-Lautrec inspired Deutsches Theatre, Munich, 1910 Tony Garnier’s impressive architectural rendering of Ville de Lyoj ‘ Exposition Internationale / La Cite Moderne, 1914 and Ludgig Hohlwein’s posters for Nachtigallschlag, the German Gramophone company, 1910 and binocular maker Zeiss Feldstrecher, featuring a well-dressed couple on a cruise, 1912. Designed by Josef Maria Olbrich, a young architect and former student of Otto Wagner, the building, located in a culturally vibrant part of Vienna, needed to hold its own against several larger institutional structures. These are followed by a small run of Herbert Matter’s pioneering photomontage posters promoting Swiss tourism. The Secession Building in Vienna is the movement's physical and spiritual home and its permanent visual form. Groundbreaking typographical examples include three works by Kurt Schwitters Plakat Ausstellung, 1928 Wir Zeigen Werbegraphik circa 1930. Psychedelic design is generally considered an art style used by people who like being high on drugs and have a distorted sense of the world. ![]()
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